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Although they look alike, they are not mass-produced: to make each one, the artist hand-carved a single block of wood into interlocking sections, responding to traditional whittled forms that mimic the links of a chain. Wood, collapsed: 3 ½ x 3 ½ x 18 ¼ in (8.9 x 8.9 x 47.6 cm); expanded: 17 ¾ x 17 ¾ x 4 in (45.1 x 45.1 x 10.2 cm). Photograph by Maegan Hill-Carroll and Vancouver Art Gallery Born 1977 in Chicago, ILLives in Chicago, IL, and Los Angeles, CABoth Harold Mendez’s two- and three-dimensional works feature rich textures and multilayered surfaces that the artist creates through labor-intensive processes.
Born 1939 in Chicago, ILLives in Taos, NM, and Los Angeles, CALarry Bell has exploited the transparency and reflectivity of glass to great effect since the beginning of his career, when he inserted a square piece of glass into a painting and titled it (1962).
Over the years, Bell has developed coating and laminating techniques in order to tint his sculptures or imbue them with metallic or smoky finishes.
In his works, he investigates both materiality and the potential reconciliation of traditional craft practices with modernist abstraction.
By using folk techniques to create common manufactured forms, Browning brings traces of his hand to structures associated with Minimal and Conceptual art.